Fairy Tales Challenge - Final Submissions

[chantalprentice]

MALEFICENT

Hi everyone! This is my final submission for the fairy tale contest. I had a blast creating this character, it was something I had never done before!

For the contest I reimagined a scarier version of Maleficent. In the sleeping beauty fairy tale, she is always described as a witch or an old lady. I wanted to change that concept a bit. I decided to try creating a version of Maleficent that is more demon-like. I wanted her to look dark and scary. So, I searched up a lot of references of creatures and monsters to try and replicate it on her body. I also added a lot of details to give more depth to the skin. Hope you guys like the final result!

And thank you for everyone that supported me. It has been really an honor seeing everyone’s projects grow and evolve into something great!

• Sculpting in Zbrush
• Cloth in Marvelous Designer
• UV and Retopo in Maya
• Texturing in Substance Painter
• Final rendering in Unreal Engine
• Triangles : 67k
• Two 4K map sets

Here’s a link to my wip if you want to see my progress : Evil Creature Maleficient - WIP. I will post my final entry on ArtStation soon if you you want to check it out more : https://www.artstation.com/chantalprentice

FINAL SHOT

APOSE FRONT, SIDE AND BACK VIEW

DYNA POSE FRONT, SIDE AND BACK VIEW

CLAY RENDER

WIREFRAME RENDER

TEXTURES

HIGHRES

ADITIONNAL SHOTS

[Anarchygaz]

STEAMPUNK GENIE

This is my reimagining of the Genie from Aladdin/Arabian Nights.

Set in London rather than Agrabah, the Kingdom is in peril from the gentleman Lord Gafar who using a mystical gem has forced the engineer Al Ladeen to construct a Wish Granting Genie, to marry Queen Victoria and become the most powerful man in the world!

Final Render:

Additional Renders:

Polygon Count

Front/Back

Side/Lamp

Front/Back Wireframe

Side/Lamp Wireframe

4K Texture 1

4K Texture 2

This has been perfect for me to renew some skills and learn I am not as good as I thought and have a great deal to improve on. Especially UVing and general topology.

I juggled the project between ZBrush, 3DsMax and Substance Painter amd rendered images in Unreal. And god I love Unreal. Kinda want to animate my Genie next just for fun.

I will be uploading to my Artstation soon if anyone wants to check me out there.

And here is my WIP.

Loved the Contest and Good Luck to everyone. Can’t wait to see more of peoples ideas.

[monajula]

Modern world Sleeping Beauty

Finally finished. This princess has an awful, but very much real curse.

First I sculpted her in Zbrush, then retopologized and modeled few details in Blender. Also added hair cards which I prepared in Maya Xgen. Textures were done in Substance Painter and then imported back to Blender. I rigged her using Blender Rigify addon. And at last rendered in Eevee. Only 47,832 tris.

Front, side, back views:

Textures with wireframe and wireframe alone:

Here are some additional shots:

2x4K texture sets:

And the final shot without the text:

Also here is my progress thread
and the project on my artstation
Hope you like her!

[andos]

"Snatchy the 8th Dwarf" / The Gnome Thief

Hello everyone. Excited to share the final version of this character!
Really enjoyed working on this character since there were a lot of cool aspects and details that required different approaches - something I enjoy very much!

The idea of the character I wanted to create was based on mixing the fairy tale of Rumpelstiltskin with Snow White and the Seven Dwarves - An unknown 8th dwarf named “Snatchy”, who steals every shiny thing he lays eyes on.

The illustration that I based the character on was made by Filipe Pagliuso, who very kindly agreed to let me adapt his illustration into 3D!

Here are some technical aspects about the character:

• 99,775 total triangles.
• 2 * 4096x4096 Texture Sets.

Software I used in the making of this character was ZBrush, Maya, Blender, xNormal, Substance Painter, Photoshop, and Marmoset Toolbag.

Work in progress thread can be found in the hyperlink below.
WIP Thread

All images are rendered in Marmoset with no post-render editing done.

Final Shot

Front, Side and Back Views

Wireframe

Texture Overview

Additional Shots

Marmoset Viewer

Idle Animation

https://i.imgur.com/5ihX79h.gif(image larger than 4096KB)

Turntable

https://i.imgur.com/E1xCOjh.gif(image larger than 4096KB)

Thank you for taking a look!

Also, thanks to everyone who engaged in my thread, and to FlippedNormals for hosting the challenge!

Best of luck to everyone!

[jessikasayuki]

Here’s my final !

Slight cyberpunk twist on the Sanbi Kitsune. I spent this challenge focusing on improving my anatomy and trying out some new ways of doing things. Bit of a bumpy road, but always love the learning curve !

ZBrush for sculpting, Blender for retopology (and auto unwrap- which is kinda gross aha) and rendering, Substance Painter for texturing.

I’m quite new to rendering, substance and blender for these things, any CC, advice or tips are warmly welcomed !

One texture set for the entire scene. I understand my texture quality would of vastly improved if I unwrapped and retopped efficiently - still learning how to do that in Blender !

Entire scene 75k Poly Count. Rendered in EEvee.

Online 3D View available on Sketchfab here https://skfb.ly/onQu8

[ShalliOsso]

Hello everyone. Wow, i finished! (⁄ ⁄>⁄ ▽ ⁄<⁄ ⁄) My Alice in Futuristic Wonderland.

• Final shot
  
  
• real-time viewer/engine
  
  
• Front, side, back
  
  
• Texture sets
  
  
  
  
  
• Grid
  
  
• My WIP
  Alice in futuristic Wonderland

Wonderful competition! I learned a lot of interesting techniques and got a new experience while working on this project. Thanks for watching and good luck to everyone! (─‿‿─)

[Mousashi7]

[caryslewis3d]

Modern Day Girl Dracula (Dede)

Phew! Made it to the end haha!

I’m really happy with how she turned out, despite being one of the more simple characters up here. I’m so glad I found this competition because it definitely pushed me to try things I wouldn’t usually. I learned ZBrush during lockdown after pretty much exclusively using Maya, so it’s amazing to see my progress!

Anyway, onto the girl herself:

Final Shot

Turnaround

Wireframe

Textures

WIP

Other stuff

Sculpted in Zbrush
Additional details in Maya
Retopology in Topogun
Texturing in Substance Painter
Rendered in Marmoset Toolbag 4
72080 tris

I’m kind of obsessed with her? Definitely have things I would change if I were to do it again, but I think one thing I’m proud of is letting her personality shine through.
While I was working on her I ended up nicknaming her Dede, because I figured she’d want to give herself a modern name after waking up in the 21st century!

Thank you for the really fun brief, and best of luck to everyone! I’m off to go update my WIP thread after neglecting it for a few weeks

[kain_gretxen]

I hope the judges will take my part in the competition, because my time zone has not yet finished the deadline and I did not think that it might be over, I really want to share the result of my work!
Tris = 30 180
Two 4K map sets
It was interesting to take part in this challenge from coming up with the character image to learning new techniques. This is my second experience in creating low poly models and creating textures and i really enjoyed all the process. In this work I tried to learn how to make high quality low poly hair. I tried to make textures that are more varied in color scheme and at the same time do not go out of the general style of the color scheme of the work. I wanted to make Dracula in the future, who have already lost part of their body because of which it was replaced with metal parts, but at the same time did not lose their vampire charm. I love the cultural image of Dracula in different ways, so I wanted to create a dark character but romantic at the same time.

https://youtu.be/dCSeg6Zn1Is
My artstation https://www.artstation.com/kain_gretxen
Progress Dracula's future

[AdrienRequin]

Here’s my final submission. Let me introduce you to the Way-Too-Heavy-Polycount-Peter-Pan (yeah that’s his new name since yesterday, when I just discovered that I were always wrong about polygons…). Sad truth, sad moment…

Yep, that’s true, I thought poly/tri-count was the number of FACES I had on my character… but sadly I just learned that it wasn’t… . Like I said in my thread (Fairy Tales Reimagined - Peter Pan Teenager), this is my first character from start to finish and I learned everything myself. I thought about every mistake I could have make and I made the simplest one… Nevermind, I will never forget what poly/tri count means. I promise

So I thought about throwing my brain on my computer and not posting my work then I told myself that it would be to bad not to show my work even if it doesn’t fit with the rules of the challenge.

So here is my Teenager Bad’ass Peter Pan. Hope you’ll like it.

Like I said earlier, this is almost the first time I’m making a character from start to finish. I mean concept, sculpting, retopology and everything, so in spite of this big fundamental mistake, I’m happy I did it. I learned so much stuff. Thanks a lot Flipped Normals pushing me to do my best (almost).

You can check the whole process in my thread : Fairy Tales Reimagined - Peter Pan Teenager

Project on Sketchfab : https://skfb.ly/onR6C

Instagram : @adrien_requin
Artstation : https://www.artstation.com/adrienrequin

Sculpting : ZBrush
Retopology/ Modelling : Maya & Blender
Textures : Substance Painter
Render : Blender Eevee
And some grading with Photoshop

Polycount… 156.398

Front, side and back views :

Wireframes :

Textures

Extra shots :

[Mia]

Concept/Synopsis

My version of Rumpelstiltskin is based around the 1950’s. His cover is that he is a door-to-door salesman but really he meddles with people and acts more like being a part of the mafia. He charms people by approaching them at their door and offers them deals they cannot refuse. He flaunts his gold and his figure to people upon approach. His figure has muscle build, but they are not as defined as he is slowly reverting to his small frail character with the more evil he commits from his devilish deals.

Final renders – Posed

This is my favorite shot that I have selected to be my final showcase image as I feel this best shows his uncomfortable yet intriguing menacing stare. I also chose to pose him leaning on his magical staff in a sly, overly confident and thuggish manner as I believe this shows his devious nature in a compelling way.

Final shot

All sides

Wireframe

Thought it would be easier to assess the mesh with it in the rigging stance. I have uploaded the jacket and close-ups of the more heavy poly areas for investigation of the wireframe purposes.

Texture Layers

Texture sets

Additional shots in A-Stance

Software breakdown

These are the software’s I used and for what stage of the project

ZBrush: Sculpting

Maya: Modelling, Retopology, UV mapping and Rigging

Marvellous designer: Clothing

Substance painter: Texturing

Substance Design: Texture creation

Unreal Engine 4: Scene setup and Rendering

Photoshop: Layout of images for submission

Polycount

My overall design is optimised at a count of 76,276 tris. I could have further reduced the count by merging the clothes to the body sculpt but I preferred leaving his body sculpt intact in case the character was to be used again with a new appearance/attire, which I thought would also be non-destructive for potential future uses.

Bonus/Links

Since I had rigged the character, I decided to create a very rough and basic walk cycle and idle animation and bring my character to life in UE4. I wanted to see what he would look like alive and to test how game-ready he could be. I have included a hyperlink to where you can see a quick shot of him circling around my render scene in a movement test.

If you wish to find out more about my process please look at my WIP where I have added some more information on specific areas of this project. I’ll also link my Artstation that im trying to build.

Note: Thank you so much for running this challenge my goal for partaking was to refresh myself on what I know and what I need to work upon by working to a brief. This has helped set me on the right track to understanding and developing my skills as an artist.

[SkullCat3D]

“Calls herself ‘Red’, she’s been hunting the Bleeding Wolf Gang since they allegedly killed her grandmother 10 years ago.”
“What can one girl do against a whole gang?”
“Maybe you should ask those boys out back.”
“She did that?!”
“She did, and God help anyone that gets in her way.”

Red - A Film Noir Red Riding Hood

Turnaround

Texture Overview

Everything rendered in Marmoset Toolbag 3

Sketchfab Viewer - Simplified lighting

Work in Progress Thread

[Eugenia_Poly]

The Brides of Dracula - Noir style

Hi, everyone!
Finally my girls are finished
That`s my idea of vampires in 1930-1940s. Main direction of style is Noir films with character traits like “Femme fatale” image.
Sculpting was made in ZBrush. Retopo - 3D Coat. Texturing - Substance Painter. Baking and rendering - Marmoset Toolbag 3.

Here is the link to the WIP thread: The Brides of Dracula - Noir style

Side view #1:

Side view #2:

Backside view:

Low poly shot from ZBrush:

Maps (girl with gun has two 4k sets, and other have one):

Wireframe and tris count:

Thats my first contest and Im very exited about this. Hope you like my work

[NegativeX]

Peter Pan Assassin.

Peter Pan (and Tinker Bell) as assassins and gender flipped! Pan and knives blocked in Blender, detail added in ZBrush, retopod in ZBrush and Blender, uv Blender, baking and texturing in Substance Painter. Photoshop and Blender for fixing bakes. The feathers and Tinker Bell modeled in Blender and textures done in Photoshop using the “lazy uv method”.

My WIP thread is here (and I will put a Sketchfab-link there once I have time to upload it).

Rendered in Blender Eevee. Two 4k maps. 98k tris. Computer crashes: 5

Wow, that was a wild ride! I remembered at the last second that bloom is a post-process effect, aka not flat, so I had to fake bloom with arealights on a plane in the background. Now I’m exhausted. Hope you all have had it less stressful! Good luck!

Edit: WOoops it was the textures that needed to be flat, now it all makes seance, that`s what happens when one double checks the rules at the last minute but is to tired to read English and is in an mad-art-berserk-deadline-is-ending-rage. Sorry if anybody was confused (I was). Ou well, we all makes mistakes, and it might be “more taste full” without the bloom. Now back to sleep.

Final:

The rest:

And finaly the on with bloom:

[Dasha_Tumuruk]

Fairy Tale Challenge - The Pied Piper of Hamelin

Hi everyone!
I am happy to show you the result of my work
Here is the concept: My idea for a fairy tale challenge, I’ll reimagine the Pied Piper of Hamelin.
My character lived to the distant future. He has upgraded his ability to hypnotize with new technologies.
He makes music with the power of thought from the trumpets in his body, which hypnotizes the victim.

Here is the link to the WIP thread Fairy Tale Challenge - The Pied Piper of Hamelin

Sculpting in Zbrush
UV and Retopo in Maya
Texturing in Substance Painter
Rendering in Marmoset Toolbag

Tris : 93 664
2x4K texture sets

Process

It was very interesting to participate in this challenge.
I really like the atmosphere here.
I saw many great artists and received support. Thanks everyone and good luck!

[rojbarak]

The Little Mermaid interpretation from my eyes. It was a very enjoyable and instructive character to work on. But i had very little time since I got involved a little late, like a week ago when i saw the challenge. I hope you enjoy.

Modeled in Cinema 4D and Zbrush, painted with Substance Painter and rendered with Marmoset.

Total vertices: 56k

[Daniel]

The time has come to post my final version of my interpretation of the pied piper of hamelin. It has been a really great experience to participate in this challenge and I’m already looking forward to the next one. This is the very first challenge I’ve gone through and my second character (that I have finished) so I learned a lot in those last two months. I really want to thank everybody in this thread and of course everyone from the flipped normals team. You are amazing! Also many thanks to the judges who take their time and look over all this work. You’re also amazing!

So to the character. That’s him:

and his buddy:

(unfortunately blender let me down and now crashes everytime I hit F12 to render with eevee, so all I could do where viewportrenders with a rather low resolution. I’m sorry for that. Maybe I find a solution for that problem during the next days)

this is the flipped normals lighting scene for blender by the way.

In this texture set it’s mainly Cloth.

Here it’s the whole rat and the head and hands of the piper.

I wish I could have spent more time on the texturing but I needed to finish everything fast so I could still meet the deadline. That was quite a race but as I said, I learned a lot, so thank you one more time! It was a great time and I hope you like my character! Cheers!

You can look into the process of the character creation here: the creepy piper of hamelin

[I_am_ET]

Hello everyone,
My first ever made Videogame character, I’m happy that the contest led me to make a game-ready character (I have worked on concepts and CGI characters but I found this pretty challenging since I had not much of time and I had never retopoed anything for videogames )
This character is based on a Persian fairy-tale folklore character called ‘Samak’ (Samak-e Ayyar).
The name Ayyar is generally used for a group of people who are famous by their magnanimity and the way they help people. Samak is also one of them, at some point he meets the prince of Iran who has gone to the China-Land (not The China!) to find the princess of China who is taken care of by an evil witch! The prince of Iran on his way to get to her meets Samak who is going to help him with the witch !
From here on Samak and the Prince make a covenant of brotherhood and the bigger journey begins!

In this scene you can see Samak going after an abandoned castle, He is trying to find the hidden way in by using the book he found, but it seems he is not the first one here… .

• Two sets of 4k Maps (Not well-optimized since was my first one, but I hope I do a better job next time)
• 75000 vertices (including the snow cards and the ground)
• rendered in EEvEE
  -Sculpted In Zbrush, Textured in Substance

Without Volumetrics

Here is a render in cycle with a more middle eastern look that I intended (I just didn’t have time for working on lighting and rendering (and other things , also I didn’t have access to my unreal engine set-up)

WIP Thread:

Persian Fairytale folklore Character

Update Almost Finished the mesh, only some facial twikings are needed. Going for texturing. [Untitled_1_AOV_Beauty 1] [Untitled_1_AOV_Beauty 1] [Untitled_1_AOV_Beauty 1] History [28] [23 zbrush] [3t] -History- [2] Hello Flippednormals ! Since it’s never too late and I just entered this community I’m going to enter this challenge by trying to reimagine one of my favorite folklore characters called “Samak” (Samak-e Ayyar). Since I have a Persian background myself I decided to int…

My Artstation:

Ehsan Taheri

[Rin]

Hello everyone!

I’m finally done (well, that sounds wrong)! But anyway…

For this challenge I chose Cinderella who decides not to sit at home and wait for her Prince Charming but takes her destiny in her own hands and does what she wants (breaking her fancy shoes for example).

FINAL RENDER:

SIDEVIEWS:

Software used:

• ZBrush: sculpting of the face and skin
• Marvelous Designer: all the clothing
• Maya: UVs, Rigging etc.
• Substance Painter: baking and texturing
• Marmoset: rendering

MAPS:
1st texture set (4K):

2nd texture set (4K):

Additional maps, I used to refine the skin. Though it was probably not necessary, I still wanted to test the workflow of realistic skin rendering in Marmoset.

I also used the 3rd texture set (1K) for the hair, because I needed an extra shader with anisotropic reflection. If it’s strictly against the rules, I can still make the girl bald ^^

UVs:

WIREFRAME & POLYCOUNT:

RIG:

Maybe an unnecessary step and a waste of time but I love to rig and skin characters to pose them so I couldn’t help doing it I maybe will try and animate her one day…maybe.

Some additional close-up renders:

I also posted some of the updates in my thread here:
https://challenges.flippednormals.com/t/bad-cinderella-update-3

Final thoughts:

I decided to participate in this challenge, because I love making characters and with this one I had multiple goals:

• learn Marvelous Designer
• learn Marmoset Toolbag
• improve my UV und texturing workflow
• learn how to proper optimize characters

I’m happy I’ve actually managed to fullfill all these goals to some extent (one month is definitely not enough to even call myself a beginner but it’s a start :D). I learnt some cool new techniques in Substance, forced myself to use cards for hair and got some decent results, learn how to optimize polygons and not ruin the mesh in the process. All in all, it was definetely an interesting experience.
And I think I also leart one very important thing: patience.
If your Substance file (after loading for half an hour) looks like this:

…not throwing your poor PC out of the window requires patience.

Rendering of a proper turntable would take an eternity and a half, so I most likely do it tomorrow and post it in my artstation (self-promotion yay! :D):

Marina Firmhofer

[Luiza]

Hi folks!

This is my Little Mermaid version!
These are screenshots from Unreal 4.

She’s a naive and curious young creature who lives in the ocean twilight zone, a layer of water below the ocean surface, just beyond the reach of sunlight. Because of that, her skin is pale and she has big fish eyes that help her see in the dark. Her seal ears allow her to hear better underwater cause the shape of our ears are meant to capture sound waves that travel in the air better than in water and the gills on her rib cage are part of her unique respiratory system. While living in deep waters, she longs to get to know the bright and colorful world on the surface, not knowing that her fate is as gloomy as the waters in which she inhabits.

I sculpted her high poly model in Zbrush and then retopologized her in Maya. Having in mind that she would be a real time character, I tried to keep my polycount as low as possible for optimization purposes and was careful to place edge loops around areas that would suffer more deformation in an animation process, like her face and fins. I also wanted to save some polys for a hair card method that would give me a nice hairline and a natural and flowy look, ready for games. I ended up with 20.523 tris for the mermaid and 20.638 tris for the hair. Her texture set was done in Substance Painter, the rig was done in Maya and the render is a screenshot from Unreal.

Mermaid 4096x4096 texture set

Hair 4096x2048 texture set

My work in progess is here: The Little Mermaid - Sea Creature WIP
And this is my portfolio: https://luizasg29.wixsite.com/luizagomes3d

Although this was not my first game character, it was my very first time in a challenge like this. To me it was especially tricky to manage time cause I tend to be very perfectionist and picky with a lot of details and sometimes this keeps me from moving on., but here I am! haha I loved the challenge and it was amazing to see so many awesome and creative works!

Good luck to everyone!